andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen – its driving, percussive dance music. a comedy in six acts: from l.a. to düsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach düsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of düsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

sie trägt das herz auf der zunge und tanzt als gebe es kein morgen: musik ist für aerea negrot nicht nur kunst, sie ist auch die luft die sie zum leben braucht. die autobiographischen songs ihres debütalbums >arabxilla< gewähren einen tiefen einblick in ihr seelenleben und vermeiden es sich einem konkreten musikalischen genre zu verschreiben. mal bildet techno, dann house und im nächsten moment elektronik das fundament für ihre augenzwinkernd ernsten lieder. als direkte referenzen nennt die venezuelanerin gern klaus nomi, yma sumac und maria callas. jenseits des gesangs gibt es nur zwei produzenten die sie über alles verehrt: titonton duvante und ricardo villalobos. letzterer steuert nun einen remix zu ihrer neusten 12inch auskopplung bei. wie immer gibt er sich bei seiner variante des tracks >miss you< minimal, bassgewaltig und episch. vierzehn minuten rhythmus aus dem bauch heraus, so wie nur er ihn arrangieren kann. auch der berliner philip bader schätzt es minimal und verwandelt den track >its lover, love in eine charmant hüpfende house-sensation, deren sonnige magie einen ganze wochenenden lang in atem halten kann. näher dran am original und nicht minder originell spielt kiki mit >its lover, love<. aereas stimme wird hier sehnsüchtig über einen houserhythmus geloopt und verhext das ohr mit einem intensiven stimmen-dschungel. würde der name witch-house nicht längst anderweitig vergeben sein, kiki dürfte als sein erfinder gelten.

datenzauber is electronic dance music following the traces of krautrock-electronica. datenzauber is a crossing of 1/8-bass rock beat and shuffle romanticism with a minimalist disco feeling. datenzauber takes kraftwerks and klaus schulzes analogue soundscapes over the digital highway back on to the dancefloor again. datenzauber commutes in an electric car between cologne and dusseldorf. datenzauber has fun with the necessary seriousness. datenzauber is free of sampling residues, yet nevertheless its historicising, because datenzauber is non-retro, electronic music feeling from the 1970s for 2010. happy new year.

the debut release from midlands finest beat maestro is finally here on passenger records. and he lands with a 4 track whopper of a release! kelevra has spent the last few years releasing on a host of established labels including lee mortimers wearhouse imprint, pottymouth, pbr recordings, instereo and remixed and worked with some key names such as dj dan, jamie fanatic, d.o.n.s., klaus hill, bass kleph, 2 bit thugs, micky slim, hatiras ...

sweet 4 track ep by this newcomer... 3ear has a great ear for new artist! sarrass is hailing from the south-west of germany. he began his musical career by studying trumpet and piano and performing in small classical and jazz groups. later, after learning about klaus schulze he got in touch with techno which has (as we all know) a huge impact! he debuted release on compost black with the >home at the sea< ep. third ear discovered him and signed this sweet 4 track ep! a nice blend of detroit techno with abstract electronical sounds as being used by klaus schulze and the early german pioneers and contemorary house. great modern club tools with a nice personal twist! check!

we welcome this fantastic producer on trapez with this piece of music which is quite different from most of what we get today. the title track >ghosts< feels like as if klaus nomi and kraftwerk were performing together... something we would have loved to have seen but which never happened. this track is not for the people who love it safe but for the adventurous and the wicked. voices like sirens striking with high pitched tongues being counteracted by basslines with a surface that can only be described as rough as chunks of splintered steel. a brilliant stop and go feeling shows that christian martin is the master on the steering wheel when it comes to controlling the movement.

third and last single cut from his debut solo album! this time he teamed up with >kuniyuki aka koss< as a production partner and this single was made with many obscure old records. a side, >routine< is jazzy fusion disco and >unfaithful< is one of the best clubby track on the album. b side, >transaction< is a klaus schulze style and >aneugalam< is a unique jazz funk disco

vol.3: house party 86. 86 house party killer loops from the sensational wunderwaffe series! limited vinyl only release! almost 100 horny techno, tech-house and breakz loops by the masters westbam & klaus jankuhn (aka members of mayday). mega dj tool ...

follow up of the sensational wunderwaffe 1! limited vinyl only release! almost 100 horny techno, techhouse and breakz loops by the masters westbam & klaus jankuhn (aka members of mayday). mega dj tool ... for those (non labtop djs) who know ...

the second release on the cologne-based techno label 200 comes from our friend jean-vince luccini, who has released on well-renowned labels such as treibstoff, dumb unit, trapez, curle, roman photo and sinergy.
his breaking down remix is inspired by the original track >breaking down< by raphael sage and relatif yann - our favourite summer tune! billie jean vince is a dark flitting techno monster, the circular limit is a hypnotic groove tune.
dj support by ritchie hawtin, agoria, dj t, mijk van dijk, butane, chloe, animaltek, jack rock, rone, klaus fiehe, electric indigo, pan-pot and tom wax.

the anthem is back - as 2009 update! minimally and absolutely removed sounds determine the new version of electro city. including mixes from jay preston, nikolas bay and haus klaus!

hotly tipped newcomer from germanys deepest southwest. deep and melancholic house music with a techno edge. as influences, he names klaus schulze, tangerine dream or orbital.

first relesease on institubes new sublabel, glancing at electronic soundscape on a more mature aproach, but with always the usual taste for dancefloor that has made institubes so famous worldwide. think j.m.jarre meets sebastien tellier...

yesss! pumping techno trax with vocals from the famous actor klaus kinski!

the first release on this new label is from gatto fritto who has released records on dissident and electric minds and recently remixed subway on souljazz. the a side hex is a nine minute, mid tempo, atmospheric, bearded disco trip taking in falsetto vocals, straight to video synths, acoustic guitars and the budget, analog death rattle of a vintage siel cruise. the bmside beachy head is a teutontastic tribute to the uks favourite suicide spot. a 3/4 krauty synth builder that spills into layered waves of guitars and unforgiving rocks of heavy analog bass...think klaus schulze and steve reich rolling off a cliff in 1983 datsun cherry.

limited vinyl only release! almost 100 horny techno, tech-house and breakz loops by the masters westbam & klaus jankuhn (aka members of mayday)

entertainment is a duo. im a cliché is proud to release their very first e.p on september 29th. juan de guillebon is the bass player. he studied a lot jaco pastorius, but decided not to spend the rest of his life playing in jazz rock combos. you can easily guess his attraction to no wave bands (suicide or james chance), krautrock (his faves are cluster), or ebm and early electro (daf). alongside, hes part of the ectoplasmic band, performing as backing band for tigersushis boss joakim. antoine montgaudon plays the guitar, and we bet he would have fit perfectly in any brian enos late 70s recording. he builds endless psychedelic atmospheres with feedbacks, loops and fxs. all this only with his guitar. hes also part of my sister klaus, a project released on tigersushi (again).

more magic from bongoloverz feat. an tonic here with the ministers. produced by groovemaster k. & daniel garcia written by alexander klaus, groovemaster k. & daniel garcia vocals written & performed by anton an tonic eldridge guitar & keys by alexander klaus percussion by raul sengupta

an incredible ep with namlook exploring the edges of minimal techno and deep ambient, while the remixes are pepe bradocks most dancefloor oriented works in ages! macro delivers a stunning release by a man who has not only produced 3 collaborational albums with richie hawtin, but also runs the ultra influential fax label with an artist roster ranging from speedy j to bill laswell to klaus schulze: namlook is a true electronic pioneer in a league of his own. the track >subharmonic atoms< was produced back in 1995 and is re-released by macro as a long out of print electronic prototype on the edge of minimal techno and ambient. but dont think this is a retro affair: subharmonic atoms sounds incredibly fresh and proves it is as groundbreaking, innovative and timeless as jeff mills early axis works or hawtins concept1 series. entirely remastered from the original source and cut in unparalleled sound quality, it is available on a single 12inch side for the first time ever. the release is completed with nothing short but french remix master pepe bradocks triumphant return to the dancefloor. his versions of >atoms< are rocking upfront house burners, which his fans have been waiting for since 2003s intrusion ep. definitely one of this years hottest packages

this is a debut release of kaoru inoue aka chari chari for mule. he is a one of the most popular japanese house music dj & producer since end of 90s. maybe people still remember that he has joined to the compilation of bossa tres jazz. recently, he is pushing & producing to his roots music like a progressive rock, balearic sound under his own name & aurora (the project with guitarist dsk). these his original two tracks of a side will be reminded the sound of can, holger czukay, klaus schulze, manuel gottsching etc and this releases highlight of todd terje remix is a dreamy long barealic tune!!

a side feat tom real vs the rogue element, winners of best remixer (both) and best producer (the rogue element) at the 2007 breakspoll awards as well as nominee for best producer in dj mags best of british poll (the rogue). this duo are on fire and this is their first single of 2007.flip for klaus hills gurn face. over the years klaus hill has been pivotal in shaping the face of breaks. as 2 sinners he has delivered tracks for labels such as distinctive, botchit, tcr and ministry of sound alongside remixing unkle, dj sneak, the beastie boys and more. gurn face is this mans tribute to his favourite state of mind

tango saty is a crazy dancer from klaus schulze. sounds huge on 12 inch and causes a storm of freaky dancing on the more discerning dancefloors with a wonky yet eminently groovy rhythmic structure and synth brass riffs that echo around in your head for days. when the bass drops its smiles all round. b shock r.e.r.b. is a classic piece of doomy yet uplifting cosmic elettro from london town that was a baldelli and loda play. getting increasingly hard to find on the original 12 inch and even if you do, this one is mastered with more weight and clarity

klaus heavyweight hills title fight imprint returns with massive new skool breaks number by jono fernandez with this electro esque bassline that will appeal to electrohouse jocks too flip for an atmospheric roller remix by vandal a must have

dj support: karotte, josh wink, john selway, jeff samuel, chloe, laurent garnier, sebastien leger, sian (pokerflat), simon baker (infant).... just as klaus kinski once saw the jungle, minilogue see their sound as a multifaceted and highly fecund place whose nevertheless existing and complex matrix does not show itself in any apparent order. two new tracks on wir make their way through tight, slippy and steeply ascending paths, working to see the daylight in the befogged territory of the peruvian rain forest, or they ride on rapid amazonian rivers looking for el dorado, while unknown dangers lurk behind. bushwacking beats slap through the thicket, wandering on the trails of ancient cultures, not fearing any frazzle. minilogues trademark sound already overgrows the dance-floor, wriggles over sweaty walls, into the corners and beneath the turntables, and theres quite a chance to lose oneself in that labyrinth when not paying attention to where the exit once was

supported by prins thomas, ata, pete herbert, radioslave, stevie kotey !! the proto dance mayham continues. next up on the young and promising frankfurt based label brontosaurus are the exile missile consisting of christian beisswenger aka cb funk and his roommate philipp lange, both residing in the beautiful city of compton / düsseldorf. their sidewinder ep is a tribute to the black klaus kinski: bobby brown – one of the most irritating and glamorous figures in r&b – a wolf amongst sheep. raw and snotty dance tunes from the chalk-faced rough neck version of the new edition. to complete this mega-hit 12inch no other than bear entertainments italian boy wonder & nephew of adriano celentano: fabrizio mammarella plays the guitar and delivers an insane laser-cosmo journey through the outskirts of dancemuzak

nice floating electronic fly with a look into sounds of jm jarre , klaus schulze , tangerine dream etc

ltd backstock !!! deep techhouse with a gigantic atmospheric hookline. in the same line as gui borato. playlist: james holden, satoshi tomiie, john digweed, acquaviva, karotte, timo maas, toni rios, terry lee brown jr, moguai, m.a.n.d.y.

aka prawler. smooth techhouse incl klaus schneider remix. force sense sublabel

kevin rocks is a very taleneted young producer and dj from düsseldorf /germany. his previous production on fullscale already gained support from a range of quiet diverse djs like martin eyerer, oliver moldan, dave mothersole and so on.... kevin rocks produced this tune in cooperation with klaus schneider, who also did a smashing dark, dubby and dirty electro house mix. a mix that will find his way into cases of timo maas, scanners for sure...

diese vinyl hat alles was die tanzwut befriedigt und gibt dank der zwei zusätzlichen remixe den djs die möglichkeit diesen monstertune zwei oder eben drei mal in ihren sets unterzubringen um den höhepunkt einer veranstaltung mehrmals zu wiederholen

new smasher from a new artist kevin rocks on a new label fullscale-music, in collaboration prod. with klaus schneider,this electro tech-house bomb is heavy played by martin eyerer, dave mothersole, oliver moldan, carl cox, mousse t...

fat release by the hungarian artist psure on the klaus hill label the bass on tech nasty esromeron is heavy enough to cause dancefloor earthquakes flip for the dark and moody blue light

remixes by klaus heavyweight beefing up the beats and adding the original rock funk parts to devistating effect

sweat dirty and exstacy in its purest form. no nonsense slamming beetz with kick-ass bassline drives the track with the vocal samples lifting the spirits to the next level. on the flip our rave-hero klaus wunderbaum m packs his adrenalin induced, dusty 303s out of the box and fires up a heavy acid slaughterhouse of no-nonsense ill house music. dark yet uplifting, this driving monster breaks the speedometer on the first lap!

"if you havent checked out friendly yet, then youre seriously missing something. … he's be cracking out plump-esque dancefloor bombs like no other and this is probably his best yet.. klaus ""heavyweight"" hill turns in a heads down, monster of a remix on the flip too"

viel fete für wenig geld! die drei fetenhits-folgen one hit wonder, disco und die deutsche wurden inhaltlich überarbeitet im multipack wiederveröffentlicht

reissue , fŸr fans von detroit techno, global communication, black dog, manuel gšttsching, tangerine dream, susumu yokota, klaus schulze.

4th installment of soul jazzÕ deutsche elektronische musik compilation on double cd.

limited nice price action !! dj hell steht nicht nur fŸr eine bestimmte art musik, sondern fŸr einen ganzen lifestyle, eine eigene €sthetik Ð und sein neuer mix, body language vol. 9 ist vielleicht die platte, die das facettenreiche gesamtkunstwerk hell am ehesten zu bannen vermag.

vorsicht, kinder, wenn ihr noch nicht im bett seid: es hei§t endlich wieder eskalieren! fettes brot will, dass ihr wackelt wie die crazy world unter euren kalten fŸ§en. es ist das erste fb-studio-album seit gut 5 jahren und ein kracher erster kajŸte geworden. casio-kinder und mobile-mutanten, ihr werdet feiern als wŠrs von 1983 bis 2013 nur eine rasante raketenreise - in 45 minuten back to the future. eure neuen dance moves hei§en #tanz den dicken griechen, #heb das dach hoch, und #mach die eisprinzessin. gruppe fb winkt mit soundfiles - gebaut aus disco rap, boom-boom bap und electro clap. >3 is ne party< bietet modern melodic rhyming und renz ens moll 7-akkorde, breakneck beton beats und lauter-lauter-lauterbachs nackten arsch ins gesicht. sie sind wieder da ... direkt von der kŸste: klaus & klaus & klaus!!!

vorsicht, kinder, wenn ihr noch nicht im bett seid: es hei§t endlich wieder e-s-k-a-l-i-e-r-e-n!

plugged-in pop, concrete prog & global robotic rock.16 highly charged currents of latter day electro-magnetic poly-pop, robotic rock & modern day mechanical music. featuring unreleased electronic music for atari video games, swiss construction companies and low budget eastern film productions alongside unknown and undercover synth driven rarities by members of can, hawkwind, niagara, soft machine, dynastie crisis, gong & nucleus.compiled from a well travelled dj bag of inhumane second-class sound by saxonic wax magnet andy votel ( finders keepers ) including full length tracks from his acclaimed vintage voltage mix tape.

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen Ð its driving, percussive dance music. a comedy in six acts: from l.a. to dŸsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach dŸsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of dŸsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

otdxi is the newest installment in the classic r&s compilation series. previous installments have been responsible for rounding up the labels roster at the time and presenting their finest tracks to a wider audience, and have gone onto become classics in their own rights. with r&s again re-positioned as one of the most forward thinking electronic labels and with an enviable roster of cutting edge young talent it makes perfect sense to relaunch the series. disc one contains highlights from the last 18 months and includes contributions from blawan, lone and untold whose classic r&s influences are worn on their sleeves. tracks from james blake, pariah and the chain take cues from a distinctly uk sound, which the label has been keenly following from its new london base, and in cmyk have the biggest single from 2010.